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Color Photography Is Making You Lose Your Imagination

Black and white photography is all about imagination. Color photography shows you the way the world is. The sky is blue, the grass is green, the sun is orange. Black and white forces creativity upon the viewer, it makes you imagine life how you want to. There’s a simplicity in the lack of color that cannot be explained. We’ve gotten lost as creatives and have become lazy letting color tell the story and create emotion, when subject matter, composition, and light should reign king.

A few months ago I challenged myself to shoot nothing but black and white. No color to make those sunsets pop, or cinematic grading to create an “emotion.” Instead of searching for colors that look cool and dramatic, I was forced to focus on what I was photographing. Thinking critically about light affecting my compositions and capturing the feeling of a scene in a photograph.

Now, I wouldn’t completely ditch color. We live in a color world and stories and emotions can be told with the correct use of color. However, the focus of color should not be the priority. Shoot for black and white. Shoot for captivating composition and good light. Strive to make an image that will stand its own without color. If your photo is bad, adding a whole new spectrum like color will not help.

Shoot for captivating composition and good light

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Here are some practical tips for shooting black and white and to really focus your vision.

Tip #1: Buy Some Film

We live in a digital era of immediate gratification and feedback, so this will be a good practice to learn to really hone in your craft as each image will cost some money and you won’t be able to review them until a lab processes them. Shooting black and white film will force you into making images with absolutely no color, only whites, greys, and blacks. It’s a great challenge and one that many photographers adopt permanently into their workflow.

You can find affordable used 35mm film cameras and film all over the web. My personal favorites are Kodak Tri-X and Ilford HP5. A great starter camera is the Canon AE-1 or a Nikon FM2.

Tip #2: Chase the Light

It’s a common phrase in the photo industry to chase the light. It’s a little overused, but for good reason. Chase that light, really chase after it and find ways to incorporate light with your subjects. Shoot in the morning and evening when the sun is low. Shoot at midday when it’s the harshest. Learn to use the sun in every situation.

Tip #3: Search for Shapes

This can go hand in hand with the using shapes to draw attention to a subject. I see this all the time in street photography where a subject is positioned around unique shapes and/or unique light. It creates layers in your image and can help focus you in on a subject.

Tip #4: Don’t Fall for the Preset Trap

Create your own style, don’t rehash someone else. Each artist is different and your work should reflect that. Black and white photographs are easy to post process, and most of the time don’t require a lot of work, maybe just some contrast adjustments.

Tip #5: Focus on your Composition

Probably the most important rule is to really focus on your composition. When shooting you have to worry about composition, color, and light. Shoot black and white and now all you have to deal with is composition and color. With the mindset of shooting for black and white you’ll focus less on your colors during the shooting time and more about how your subject looks.

These tips hopefully will help you find your style and perfect your compositions. When you shoot for black and white with the focus on your subject and composition, your images will be more captivating than if you just shot with the idea of fixing it with a color grade.

#SayNoToColor

Making a HUGE move across the country

Emily and I are now settling down here in Oakland, CA. After a week of travel, we are relieved to be adjusting to our new home. The drive out here was so beautiful. The first major stop was the Badlands in South Dakota. What a place. It was basically a desert when we got there. During the summers the park gets up to around 95–105 degrees and in the winter can get as low as 15–10 degrees. We watched the sunset over the crazy rock formations and then spent the night at our insect infested campground. 

The next morning we drove another 10 hours to the border of Wyoming and Idaho to another little park called the Grand Tetons/Yellowstone. Without a doubt, these are some of the most beautiful parts of our country I have ever seen, rolling hills all the way up to a quaint valley where the city of Jackson is located dominated by views of the Grand Tetons. A few minutes north and you’ll be at the southern gates of Yellowstone National Park. 

We were not able to do a whole lot that week besides a few national parks. We had to be in Oakland in time for Emily’s first day of work. The highlight was definitely The Grand Tetons. There was so much to do, one would have to spend an entire week there exploring. We decided to go horseback riding on a hike through the hills and around a section of Jackson Lake. The views were just to die for. We started the trail down a winding valley, slowly making our way uphill to the grand view of the Teton Valley below.

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We spent the next day with Emily’s Aunt in Idaho and then made our way to Reno for the night. We could have driven all the way to the bay but decided to take it easy and layout by the pool instead. Driving into California was so surreal. It still doesn’t feel real yet to say that we live here. 

We are still settling down, looking for an apartment. I’m job hunting and re-establizing my freelancing here in the Bay Area. Keep us in your thoughts and prayers during this time of transition.

Quiet Foggy Morning

It's not every day that we get blanketed with fog here in Louisville. This morning, with camera in hand, I went out and walked around downtown and the waterfront looking for some photos to make. Unfortunately being a cold Sunday at 7 am there were not very many people out and about. For the majority of these, I focused on simplicity in the city to capture the mood of our sleeping little city.

All these were either captured with a Canon 5D Mark III and Sigma 50mm 1.4 ART or my iPhone.

Liz Richter - Creative Space

Liz Richter along with her best friend Bri Bowers, and local artists Michelle Montgomery, and Zara Goldbrg just finished this beautiful mural down in the Nulu District of Louisville on the corner of Market and Clay St. Louisville Visual Arts (LVA) coordinated the project for the new implementation of Google Fiber into the city. The project is being sponsored by Google Fiber. 

Liz Richter, photographed by Ryan Noltemeyer for Creative Space

"The mural is all Kentucky wildflowers that grow in this region. Each one was chosen not just for the shapes but with symbolic meanings as well. Woven throughout the mural are the themes of independent business and free thinking. Mint represents hospitality, Goldenrod is the state flower and represents good fortune. It is also a nod to Thomas Edison, who experimented with goldenrod (his historic home in Louisville is only blocks away). The blue at the bottom (bluegrass) represents connectivity and is Google Fiber blue. The largest plant is milkweed, which I chose as a symbol for Nulu. Milkweed is the host plant for the monarch butterfly. All milkweeds are perennials, meaning they survive for more than two years. They can grow in harsh conditions and have far-reaching impact through the scattered seeds. Technically a weed, their beauty is strange and exotic. A few more plants: Black-eyed Susan's represent encouragement/motivation;  the purple coneflower represents strength. The wildflower design was partially inspired by the lyrics to Tom Petty's song, You Belong Among the Wildflowers/You Belong Somewhere You Feel Free. Ironically I was listening to it while painting my proposal the night before he died (I had no idea)! So it's kind of become my tribute to him as well" - Liz Richter

Liz Richter, photographed by Ryan Noltemeyer for Creative Space

Myself and other creatives are very excited about Google Fiber bringing faster and more affordable internet speeds to the city. After hearing about this project for Google Fiber and seeing some images on Liz's Instagram page I knew I wanted to include her in my project. With the vibrant colors of her mural as a backdrop, we did a couple portraits of her and then several "in-action" shots as she put some final touches and lettering on the piece. Below are all the photos in a slideshow, please enjoy and see all of Liz's work here: lizrichterart.com

For photo nerds, like myself, all images were taken with:

 

 

Grease and Sweat

Here are some photos from my Subaru shoot the other day. This time the focus was on aftermarket parts and accessories. We installed a new pair of Perrin Hella Horns to the front. All the images were shot on a Canon 5D Mark III with a 35mm 1.4L lens tethered into Capture One Pro 10.  

I hope you enjoy these images. I really love how they turned out. Car photography is quickly becoming one of my favorite things to shoot. Be on the lookout in the coming months for some more!

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Perrin Hella Horns
Installing Perrin Hella Horns on a Subaru WRX STI
This one (above) was my favorite image from the shoot

This one (above) was my favorite image from the shoot

Subaru WRX STI with Perrin Hella Horns